The first publication on the painting practice of artist Lorna Simpson, an artist who has worked primarily as a photographer for much of her career, examines this significant new development in her practice over the last decade.
Simpson's recent works, midway between photography and painting, advance her incisive explorations of gender, race, and history through bodies that emerge and disappear - peering from inky surfaces or dissolving into landscapes of melting ice. Her paintings draw on documentary photographs and images from vintage Ebony and Jet magazines, combining screen-printed collages of found images with washes of colourful ink on fibreglass, wood, or clayboard.
The texts in this volume explore how Simpson's fascination with time, memory, and the indeterminacy of representation propels her experiments in works that are both figurative and abstract, portraits and landscapes, paintings and photographs.
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